Saturday, January 10, 2015
Monday, December 1, 2014
Retreat - Resurface
This was a time when stretching my aching back for half an hour in
a comfortable room was indeed a luxury.
I had just finished shooting the major
scenes of ghoda 22. After working on the edit almost every day and working of
Sudesh Balan sir’s project I had grown used to sleepless nights.
After the first phase of Ghoda 22 I took a break. I was in
Indore after taking a workshop in Baroda at the MSU department of Sociology.
The workshop was on Shadow puppets and its visual dynamics orgainised by Krishna
Acharya (mountaineer, sociologist, art patron)
Once in indoor I never moved out during the day. Slept all
day eating my meager chai and rice plate thali in the afternoon. Rakhil
(friend, photographer, scientist and partner) would join me in the evenings and
we would go and eat at the Bada Saraffa. Shahi Paratha, Shikanji and Dosas.
Ujjain was shear stree buster as well as a fearful
sinisterish relapse. In Bhopal met up with a friend and an artist Vidushi
(artist , illustrator, painter) along with Tanushree paul (photographer, painter). A few days later visited Sanchi. Broke with no money.
The next phase of the retreat was seasoned with a lot of
travelling. Me and Rakhil went half way across Gujarat to reach the white sands
at Kutch, the crowded beaches of Mandvi and the Buttered streets of Anand.
The white sands and the crowded beach keep coming back again
when I close my eyes tired from work. Will I ever go back.
Like Budha said. “We think there is time. That’s the
problem.”
Thursday, November 27, 2014
Tuesday, September 9, 2014
Shuruvath
I am surprised at first. I am not a cinematographer. However I know i an light up and lens up if given the appropriate time.
As soon as I reached mumbai the shoot was set. Two schedules. A content that would take 10 schedules was squeezed into two schedules. We had to rush.
Palash the director and Guatam ved the script writer had wonderfully crafted a humouros take on B grade horror film makers of bollywood.
Joined in with Anmol dharmadhikari and Sonal Gupta as associate and Girish Atuvalapil as my associate DOP we started rolling. Shantanu yennemadi on the sound design we finished it in the given schedule.
The movie didn't work out as much as we expected but technically it was the best in the lot. 'Audacious' was the word media used for the film.
The project can't be called as one of my best work but the output and the parties that fllowed, the red carpets and the people I got to meet was enthralling at various levels.
One thing that kept us going is Palash vaswani's spirit and the actors who gave us 24 hours straight.
Interval 3d w ka as released along with 6 other compelling films as a single film called Shuruvat ka interval.
Grace to be a part of it. Peaceful that it hit the PVR. Unhappy since i could have done a lot better.
Kudos to the team.
Wednesday, August 20, 2014
Echo
After spending about 6 months on the draft of my feature film I decided to go to Chennai and spent time with my favorite people. Rakhil Akkali (scientist, photographer, model, friend) had a room in iit madras.While fighting with his inner demons and outer demons I crash and occupy the space in his room.
There were discussions about life, love, philosophies. Meanwhile I took a retreat into Yelamalai, Yercaud , hoggenekal only to come back with bigger deeper demons that I collected on the way. The sweet ones and the sour ones. A week was spend running around in adventure.
The time was spent in making decision on how to approach producers and life. Rakhil was a great inspiration. So was Regan. (Photographer, filmmaker, friend, artist )A week was spend in Ooty discussing cinema
.
Another peaceful period was spent in pondichery.
Thank god for Priyanka (designer, friend) for being around
in Chennai. Even Naveen a music director doing Phd in madras was an
inspiration. A period I will never forget.
Rollercoasters, temple runners, memory makers, Life givers, breathe
takers and me.
Tuesday, July 29, 2014
Shoot n Run
When Vinamra Pancharia spoke to me about making “Shade Away”
(as it was previously envisaged) I thought to myself. WIIIFM. (What is in it
for me ?)
I had brought a 1984 manual lens and made a lot of
adjustment to mount it on my camera. The kind of bokeh’s it gave was truly
breathtaking and when an ND filter is placed on it,a natural vignette is
formed.
Vajra Pancharia (artist, animator) explained the script and
visuals to me. It was explained that the final colors would be warm. So I decided
to shoot it cool so that finally the color is increased to yellow(warm) the
blacks would thus remain black. (this never happened since colr correction was
done on After Effects which has more presets and gimmicks rather than just
controlling contrast and making the blacks black)
The director had already arranged everything in favor of the
shoot. The team was ready and early morning on a cold January me and Girish
Atuvalaipil who helped me in Cinematography travelled to the location and shot
it.
I had decided to frame everything as a candid observer. Since Vinamra had envisioned it like a
theatrical performance it was easy for me to push in the idea of a candid
secretive observer encroaching into a kids life. He totally agreed to my frames
and soon we were shooting it all around Mumbai..
The film turned out to be a visual treat of its kind. (here I
Flatter myself) and the pacing and story telling helped to tell the content in
the right direction.
However the film failed .
Where did we go wrong ? In inception or conception or in
content. Probably one of my best learning regarding visual story telling. Had
fun working with Vinamra pancharia and later his brother Vajra Pancharia the
editor.
Why do we make films ?
Transient shade aka Adhoori chaav
Direction
VInamra Pancharia
Editing
Vajra Pancharia
DOP
Krishand
Sound Design and Mixing
Shantanu Yennemadi
Music
Ramprasad Sedouram
Associate DOP
Girish Atuvalaipil
Associate Director
Himashu Katara
and
The team at Black Salt film
Rishi
Vishal
Anish Kumar
Gaurav
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